{"id":275,"date":"2025-12-17T18:15:40","date_gmt":"2025-12-17T17:15:40","guid":{"rendered":"https:\/\/ultra-net-work.com\/dianearnaud\/?page_id=275"},"modified":"2026-01-07T17:53:10","modified_gmt":"2026-01-07T16:53:10","slug":"photos","status":"publish","type":"page","link":"https:\/\/ultra-net-work.com\/dianearnaud\/photos\/","title":{"rendered":"Photos"},"content":{"rendered":"

[vc_row row_content_width=\u00a0\u00bbgrid\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb120px\u00a0\u00bb][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]<\/p>\n

Photos<\/h1>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb120px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_content_width=\u00a0\u00bbgrid\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb267″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb30px\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb266″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb30px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_content_width=\u00a0\u00bbgrid\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][\/vc_column][vc_column width=\u00a0\u00bb2\/3″][vc_single_image image=\u00a0\u00bb108″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb100px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_content_width=\u00a0\u00bbgrid\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb200px\u00a0\u00bb][vc_separator color=\u00a0\u00bbblack\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_content_width=\u00a0\u00bbgrid\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]<\/p>\n

Autres publications<\/h5>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_row_inner][vc_column_inner width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb105″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb link=\u00a0\u00bb#\u00a0\u00bb][\/vc_column_inner][vc_column_inner width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb104″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb link=\u00a0\u00bb#\u00a0\u00bb][\/vc_column_inner][vc_column_inner width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb34″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb link=\u00a0\u00bb#\u00a0\u00bb][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner el_class=\u00a0\u00bbbtn-publications\u00a0\u00bb]\n Tous les livres<\/span>\n <\/a>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_content_width=\u00a0\u00bbgrid\u00a0\u00bb][vc_column][vc_separator color=\u00a0\u00bbblack\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_content_width=\u00a0\u00bbgrid\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]<\/p>\n

CONFERENCE
\nDavid Lynch<\/h5>\n

\u00ab\u00a0It is happening again\u00a0\u00bb la r\u00e9p\u00e9tition selon Lynch<\/h1>\n

[\/vc_column_text]

\n\t
\n\t\t\"\"\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t<\/circle>\n\t\t\t\t\t<\/circle>\n\t\t\t\t\t<\/polygon>\n\t\t\t\t<\/svg>\n\t\t\t<\/span>\n\t\t<\/a>\n\t<\/div>[\/vc_column][\/vc_row][vc_row row_content_width=\u00a0\u00bbgrid\u00a0\u00bb][vc_column][vc_separator color=\u00a0\u00bbblack\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_content_width=\u00a0\u00bbgrid\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]<\/p>\n
Autres conf\u00e9rences<\/h5>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_row_inner][vc_column_inner width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb119″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb link=\u00a0\u00bb#\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]<\/p>\n

FORUM DES IMAGES
\n\u00ab\u00a0De l\u2019invisible \u00e0 l\u2019invasion : le cin\u00e9ma de Kiyoshi Kurosawa\u00a0\u00bb<\/h5>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb30px\u00a0\u00bb][\/vc_column_inner][vc_column_inner width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb127″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb link=\u00a0\u00bb#\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]<\/p>\n

CIN\u00c9MATH\u00c8QUE
\nChangements de t\u00eates, de M\u00e9li\u00e8s \u00e0 David Lynch<\/h5>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb30px\u00a0\u00bb][\/vc_column_inner][vc_column_inner width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb137″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb link=\u00a0\u00bb#\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]<\/p>\n

CIN\u00c9MATH\u00c8QUE
\nOzu aujourd\u2019hui<\/h5>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb30px\u00a0\u00bb][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner el_class=\u00a0\u00bbbtn-publications\u00a0\u00bb]\n Conf\u00e9rences<\/span>\n <\/a>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_content_width=\u00a0\u00bbgrid\u00a0\u00bb][vc_column][vc_separator color=\u00a0\u00bbblack\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_content_width=\u00a0\u00bbgrid\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb120px\u00a0\u00bb][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]<\/p>\n

Biographie<\/h1>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb120px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_content_width=\u00a0\u00bbgrid\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb266″ img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]<\/p>\n

Diane Arnaud<\/h2>\n

Professeure en esth\u00e9tique cin\u00e9matographique
\nUNIVERSIT\u00c9 GUSTAVE EIFFEL<\/h3>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb100px\u00a0\u00bb][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]<\/p>\n

\n
\n

CFR \/ UFR LACT – Lettres, Arts, Cr\u00e9ation et Technologies<\/p>\n<\/div>\n

\n
\n

Directrice du CCAMAN,\u00a0 \u00e9quipe de recherche interne dans le laboratoire LISAA<\/p>\n

Directrice du Master Cin\u00e9ma et Audiovisuel de l’UFR LACT<\/p>\n

Mes domaines de sp\u00e9cialit\u00e9 sont l\u2019analyse esth\u00e9tique de motifs cin\u00e9matographiques, susceptibles d\u2019engendrer le trouble (enfermement, transformation, r\u00e9p\u00e9tition, d\u00e9doublement), et l\u2019\u0153uvre des r\u00e9alisateurs David Lynch, Yasujir\u00f4 Ozu et Kiyoshi Kurosawa, ainsi que les liens du cin\u00e9ma fantastique japonais avec les traumatismes de l\u2019Histoire.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text]

\n\t

\n \n\t\t<\/span>\n\t\t<\/span>\n\t<\/span>\n\tLire la suite<\/span>\n<\/h4>\n
\n\t
\n\t\t[vc_column_text css=\u00a0\u00bb\u00a0\u00bb]<\/p>\n
\n

Formation <\/strong><\/p>\n

 <\/p>\n

2021\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Habilitation \u00e0 diriger des recherches en \u00e9tudes cin\u00e9matographiques de l\u2019universit\u00e9 Sorbonne Nouvelle\u00a0: L\u2019esth\u00e9tique dans un \u00e9tat second\u00a0: le cin\u00e9ma, art du d\u00e9r\u00e8glement<\/em>, garant\u00a0: Fran\u00e7ois Thomas<\/p>\n

2003 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Doctorat d\u2019\u00e9tudes cin\u00e9matographiques de l\u2019universit\u00e9 Sorbonne Nouvelle\u00a0: Figures d\u2019enfermement dans le cin\u00e9ma de David Lynch et d\u2019Alexandre Sokourov\u00a0: perspectives esth\u00e9tiques du cin\u00e9ma contemporain<\/em>, sous la direction de Murielle Gagnebin. Mention tr\u00e8s honorable avec les f\u00e9licitations du jury \u00e0 l\u2019unanimit\u00e9<\/p>\n

1999 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 DEA d\u2019\u00e9tudes cin\u00e9matographiques et audiovisuelles, universit\u00e9 Sorbonne Nouvelle\u00a0: L\u2019Esth\u00e9tique de l\u2019enfermement dans le cin\u00e9ma de David Lynch<\/em>. Mention Tr\u00e8s Bien<\/p>\n

1998 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ma\u00eetrise d\u2019histoire de l\u2019art, universit\u00e9 Paris\u00a01 \u2013 Panth\u00e9on-Sorbonne\u00a0: Figuration de la d\u00e9faite sous la Seconde R\u00e9publique<\/em>. Mention Tr\u00e8s Bien<\/p>\n

1997\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Double licence d\u2019histoire de l\u2019art (universit\u00e9 Paris\u00a01) et d\u2019anglais (Sorbonne Nouvelle)<\/p>\n

1996\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dipl\u00f4m\u00e9e de l\u2019Essec \u2013 accord d\u2019\u00e9change avec Georgetown University (1995)<\/p>\n

Exp\u00e9rience de l\u2019enseignement <\/strong><\/p>\n

Depuis 2004 \u00a0\u00a0\u00a0 Ma\u00eetre de conf\u00e9rences en \u00e9tudes cin\u00e9matographiques, universit\u00e9 Paris Diderot, UFR LAC (Lettres, Arts, Cin\u00e9ma)<\/p>\n